Composed squares no.1. Oil on canvas. Size 18×24 in. 2013

$470.00

Oil on canvas. Size 18×24 in. 14 days return and exchange guarantee. This artwork is sold and shipped to you by Raul M. Sarante and will be packaged in a resistant mailing tube. It is dispatched within 5 working days from the studio. Shipping inside the Dominican Republic applies for free. International shipping is calculated based on your region on the cart page. The artist always use certified couriers.

Composed Square no. 1 is an original oil on canvas painting that explores geometric abstraction through the layered interaction of squares, rectangles, and linear structures. The composition is organized as a dynamic network of luminous colored planes that appear suspended within a transparent architectural framework, creating depth through overlapping forms and carefully balanced spatial relationships.

The painting is built upon an intricate system of thin intersecting lines that define an open geometric grid. Floating throughout this structure are vibrant rectangular elements in yellow, green, orange, red, and muted gray, each acting as independent visual units while contributing to the overall rhythm of the composition. Their varying sizes and positions establish a measured balance between density and openness.

Warm earth tones dominate the background, where subtle transparent washes, layered glazing, and softly blended surfaces generate atmospheric depth. Broad diagonal planes intersect the composition, introducing directional movement that contrasts with the stability of the orthogonal grid. The interaction between rigid geometry and painterly transparency creates a visual language that oscillates between architectural order and spatial ambiguity.

Rather than representing recognizable objects, Composed Square no. 1 investigates proportion, alignment, transparency, color relationships, and visual equilibrium. The painting invites the viewer to navigate multiple layers of geometric information, where overlapping planes continually shift between foreground and background, encouraging prolonged observation of the composition’s spatial complexity.

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