Composed squares no. 1. 18 x 24 in (45.7 x 60.9 cm). 2013

$470.00

Original artwork / Certificate of Authenticity included / 14-Day Exchange Guarantee.

The artwork will be shipped unframed and rolled in a protective mailing tube for secure transportation. It is typically dispatched within 5 business days from the studio in Santo Domingo, Dominican Republic. Domestic shipping within the Dominican Republic is free. International shipping is calculated based on your destination and displayed on the cart page. Orders are shipped using recognized and established shipping carriers.

Composed Square no. 1 is an original oil on canvas painting that explores geometric abstraction through the layered interaction of squares, rectangles, and linear structures. The composition is organized as a dynamic network of luminous colored planes that appear suspended within a transparent architectural framework, creating depth through overlapping forms and carefully balanced spatial relationships.

The painting is built upon an intricate system of thin intersecting lines that define an open geometric grid. Floating throughout this structure are vibrant rectangular elements in yellow, green, orange, red, and muted gray, each acting as independent visual units while contributing to the overall rhythm of the composition. Their varying sizes and positions establish a measured balance between density and openness.

Warm earth tones dominate the background, where subtle transparent washes, layered glazing, and softly blended surfaces generate atmospheric depth. Broad diagonal planes intersect the composition, introducing directional movement that contrasts with the stability of the orthogonal grid. The interaction between rigid geometry and painterly transparency creates a visual language that oscillates between architectural order and spatial ambiguity.

Rather than representing recognizable objects, Composed Square no. 1 investigates proportion, alignment, transparency, color relationships, and visual equilibrium. The painting invites the viewer to navigate multiple layers of geometric information, where overlapping planes continually shift between foreground and background, encouraging prolonged observation of the composition’s spatial complexity.